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The Last
Night
One never believes the last night, even as it's happening
I'd met her through a friend---a man who was the cook at the resort where
I was working as well. Both he and I were featured readers at a poetry
workshop that first night; in those days our resort's motto was time
out--- for not only special writing weekends and artist exhibitions
but too massages, nude sunbathing and other sensual feasts for body and
mind.
Afterwards I'd wandered, and she'd found me, on a moonlit "Grasshopper
Bridge." The day's faineant heat hung still. I was leaned against
the newly oiled redwood rail, listening to the stream's lambent murmur
below.
For the way the new footbridge pierced midway into the other bank---the
criss-crossing span some twenty feet above the streambed, looking like
a railroad trestle, its scale far more vast than the rope and plank crossing
it'd replaced-the staff had taken to calling it The Bridge Too Far
She'd found that bit of info funny. I was fairly sure that my friend had
kept her apprised of the resort politics; the owner had gone from a Sixties's
peace & love Esalan-Big-Sur-style guru to a born-again
capitalist---just
as clichéd with his grandiose new schemes for the place. It was
billed as a "modern mega-European spa." It was fueled by the
overnight success of his "addiction therapy" once-a-month
program---catering
to well-to-do, stressed-out casualties of Silicon Valley. What it would
mean was that our sleepy, turn-of the-century hotel, with its thick, cool
stone and stucco walls, sweeping verandas, kerosene lanterns and wood-burning
stoves for the bone-drenching winter night downpours, would be razed and
replaced.
Sycophantic former clients of the good doctor, no lack of Iagoian iniquity
in the sportive devising of each, now surrounded him as constant
coterie; the resort's history of artists-in-residence, bohemians, naturalists
all to be swept into some sanitized future with such a shaky financial
basis as to cast the entire matter, in the minds of those who lived and
worked there, as ambition destined to be gain which darkens.
So that night, curiosity unwisely peeking forth from my stoic's countenance,
I asked her what her connection with the good doctor was. Her face assumed
that demure, smooth-cheeked visage I would come to find impenetrable.
Then a smile, the smoothness of her lips parting over the teeth 's even
beauty. Quite frankly you're the one who worries me
I'm told
you're the dangerous kind
I shrugged, said I'm sure I don't know what you mean.
Another smile, her eyes-crystalline, deeply azure---twinkling as she panned
her gaze unto the stream
Truth be known, I did know what she meant. I'd been part of the resort's
outdoor staff for two years now. Three days on, four days off. On weekends
I was the relief shift---the resort's on call emergency man. Our grounds
were part of an old Ohlone Native American powerspot on the Central
Valley side of the Mendocino Coastal foothills. We advertised in all the
New Age journals circulating the San Francisco Bay Area as a nice,
gentle place to unwind. Big redwood decks by the tubs for "clothing
optional" sunbathing, miles of surrounding open space for hiking
Breathe! as the owner's constant mantra went.
A very unique place, but, too, very isolating. So at least once a month
most of the staff would see fit to visit such former stomping grounds
as Berkeley-the favorite target for sarcasm among the addicted yup's,
who'd sneer, Oh, I see --- still living in Berkeley
On summery weekends, those seeking us out as a nice, gentle place to unwind
would pass-opposing lanes on the same curving two-lane canyon road, in
some counter-pointed yet correlative way-those seeking a little Peet's
coffee in Berkeley while perusing the Bay Area's weekly rags offering
way too many choices of things to do.
Winter, of course, was another story. Not a single storm passed in which
I wouldn't have to get the big ¾ ton four wheel drive truck and,
at some besieged point of our seven mile dirt access road, pull some guest
out of the ditch. Poor guy and his wife or girlfriend he was seeking to
impress would show up at our lobby-soaked, muddy, shivering to the point
of speechlessness after trekking miles in a darkly whipping storm---and
nod with sheer gratitude when I'd ask, So, looks like you got stuck.
Made me more popular than our guru of an owner himself
That it was my other duties piquing perhaps too much interest in me has
become plain to me since my exodus. On the weekends, when our three, twenty-foot
long concrete tubs always filled with mineral glistening bodies, checking
tub temperatures three times a day became crucial. Gravity flowed the
140 degree springs water down a pipeline into a holding tank and then
through three twenty-foot long concrete tubs. A flow-valve from the holding
tank regulated the rate at which the water would circulate through each
tub in turn before draining into the creek. Too fast a flow and those
sunburned would really feel scorched; too slow and the lukewarm waters
would never loosen those bunched and corded muscles.
While waiting for the thermometer to register in each tub, one could not
help but notice its occupants. As this was the early 1980's, before those
obnoxious sexually-transmitted diseases reared ugly heads, we were host
to a number of single women who, while professionally secure, seemed,
nonetheless, unable to find a decent guy for companionship.
At least that line was what I was told. When the coolness of the evening
arrived in the summer-the fine dust of the road, browned hills all around
still shimmering heat---the plaintive wail of coyotes could be heard. While
doing the evening temp check, I loved to walk onto the rear deck and await
them. Sometimes all that stirred were the tall stalks of bamboo, from
the bank below, beneath an immense ink-blotted sky; at other times a touch
gentle as a breeze would manifest to my side and a towel-wrapped woman
still exultant from her bath would ask why do the coyotes cry so?
Still, that night with my curious new woman, I told her that I was afraid
she'd heard wrong. The last six months or so I'd been holing up like a
hermit on my days off---I had a great room off the main veranda, and I'd
built a custom desk out of the antique bits and pieces remaining on the
resort from years before. My little battery-powered LCD typewriter hummed
away one sweetly silent hour after another. A kerosene lamp flickering
in the hints of breeze, the ever-present sound of crickets outside, I
was finally writing the way I'd envisioned---as if the hills cradling our
resort had granted me infinite support as well
Not that night, but the summer she and I spent together. Her schedule
as an RN at a local hospital was hectic, but we escaped whenever we could.
Hiking among huge sun-heated boulders, with her two sons who'd visit glistening
like salmon in the Sierra stream; climbing fire lookout towers...Camping
where our only neighbors were bears.
At our resort, what had once been Paradise had now become overrun with
huge grasshoppers. Among ourselves we joked (in protective whispers, of
course) that it was a Heavenly sent plague of locusts due to the
good doctor's born-again greed. But the fact remained that these whirling
clouds of winged furies were, day after day, descending, covering everything-countless
tiny mandibles chewing up the entire grounds
The good doctor flipped out. From a "no chemicals" hip and cool
policy we'd had suddenly he was ready to call in an army of exterminators-big
trucks to roll all over everything with huge, rear-mounted spraying nozzles
A musician Resident Artist made a wooden, lacquered plaque of a huge grasshopper,
with Japanese B-movie multifaceted, eerie looking eyes, and we
rechristened our new trestle as Grasshopper Bridge. When one of
the good doctor's entourage, now present with his obnoxious clients two
weeks a month, made discovery of the new plaque the good doctor was infuriated.
During a marathon staff meeting he demanded to know who was behind this
bit of treachery. We all expressed wide-eyed innocence. Afterwards the
tensions at our once peaceful little sanctuary remained at a low boil
All these newly unfortunate matters were forgotten when I was with her.
Backpacking brought a certain luminescence to her eyes. She wasn't one
for a lot of conversation---you're the word person, she'd say,
that faint, inaccessible amusement dawning, for just a brief gleaming
moment, on her cheeks.
As I learned to read her gestures---more reliable, I found, than our collection
of trail maps we'd transverse---she managed to take apart, chink by unnoticeable
chink, my big tough guy armor. Bits and pieces I'd tossed together,
after easing my way out of the academic hothouse of graduate school...
One day I'd seen a flyer on my mentor's bulletin board for the Naropa
Institute's Twenty-Five Years of On the Road celebration of Jack
Kerouac and the Beat Generation. Though my mentor had managed to break
me of my journalism---do you want to write puffery or do you really
want to write? --- this one looked too good to pass up, so I wangled
a press pass from one of my former editors and headed to Boulder, Colorado.
Afterwards, I never made it back to the East Coast-instead traveling on,
through the Southwest and into Mexico before making my return to the Bay
Area. A friend then told me about the resort's Artist-in-Residence program;
when I completed that three-month residency another artist-the plaque
maker-and I split a staff position into two three-fifth's ones
And then one day, as if woe had been forerun with woe, all came
to change. A wan look keening her brow, she announced that no longer
would she nurse the sick, the dying, and the ungrateful. She'd found
she no longer had any time for her painting, so, she was moving to Homer,
Alaska, where she'd been accepted into an artist's colony.
Neither of us cried our last night---though if I'd finally showed some
real emotion, it would have been too late. Her house let to friends, we
were camped in her back yard. She gave herself to our lovemaking with
such frenzy that afterwards the night air stilled into pure suchness
Summer nights as that one sometimes I fall silent. In the quietude I see
her walking a comely-curving beach amid moonbeams of gently breaking sea
foam
I see her happy.
^
Biography
From
"the next parish, lad..." Tom Noonan is a consultant/board member
& volunteer for nonprofits (e.g., "Dorothy Day Catholic Workers")
and a graphics/website designer (e.g., www.mariaespinosa.com). He's currently
producing & directing a short feature, for a Berkeley, CA media nonprofit,
called "Ghosts," in which "a modern day Shakespeare buff
finds his life too much like one of the Bard's protagonists-in-Exile."
His quote-of-the-epiphanical moment is: Khyentse Norbu, a Tibetan Buddhist
filmmaker in Bhutan, "If you are doing great work, you'll encounter
great obstacles..."
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